eprintid: 1303
rev_number: 15
eprint_status: archive
userid: 38
dir: disk0/00/00/13/03
datestamp: 2012-07-03 08:35:58
lastmod: 2013-04-17 14:13:54
status_changed: 2013-04-17 10:38:52
type: book_section
metadata_visibility: show
creators_name: Loreti, Silvia
creators_id: silvia.loreti@imtlucca.it
title: Picasso and Modernist Narrative(s)
ispublished: submitted
subjects: ND
divisions: EIC
full_text_status: none
abstract: The essay argues that the traditional view of modernist painting as anti-narrative is itself the result of the historical and historiographical narrative operation known as Modernism, which endowed the present moment with absolute value to the detriment of historical time. The essay explores alternative ideas of temporality (Bergson's, Nietzsche's and Heidegger's) contemporary with the development of early modernism in an attempt to contextualise the specific narrative strategies at work in avant-garde paintings, particularly those of Picasso.
date: 2013
date_type: published
publisher: Ashgate
place_of_pub: Aldershot
refereed: TRUE
book_title: (ed. by P. Cooke and N. Lübbren ) Narrative in French Painting
editors_name: Cooke, Peter
editors_name: Lubbren, Nina
citation:   Loreti, Silvia  Picasso and Modernist Narrative(s).   In:  (ed. by P. Cooke and N. Lübbren ) Narrative in French Painting.   Ashgate, Aldershot.     (Submitted)   (2013)